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header_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_2_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_2_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_2_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_3_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_3_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_3_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_4_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_4_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_4_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_5_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_5_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_5_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_6_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_6_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_6_text_shadow_blur_strength_tablet=&#8221;1px&#8221; box_shadow_horizontal_tablet=&#8221;0px&#8221; box_shadow_vertical_tablet=&#8221;0px&#8221; box_shadow_blur_tablet=&#8221;40px&#8221; box_shadow_spread_tablet=&#8221;0px&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p style=\"font-weight: 400;\">Formed by scholars and researchers in the field of history of art, conservation and restoration, of archives, it guarantees the <strong>scientific and methodological guide<\/strong> of the project: the different educations and professional backgrounds has permitted to express the fundamental interdisciplinary nature of the project.<\/p>\n<ul>\n<li><strong>Carlo Giantomassi<\/strong> <em>President<\/em> (Restorer)<\/li>\n<li><strong>Michela Di Macco<\/strong> <em>Vice-president<\/em> (Universit\u00e0 degli Studi di Roma \u201cLa Sapienza\u201d)<\/li>\n<li><strong>Marisa Dalai Emiliani<\/strong> <em>Honorary President<\/em> (Universit\u00e0 degli Studi di Roma \u201cLa Sapienza\u201d)<\/li>\n<li><strong>Cristina Acidini<\/strong> (Art historian, former Soprintendenza speciale per il Polo museale della citt\u00e0 di Firenze)<\/li>\n<li><strong>Carlo Birrozzi<\/strong> (as Director of Istituto Centrale per il Catalogo e la Documentazione)<\/li>\n<li><strong>Giorgio Bonsanti<\/strong> (Universit\u00e0 degli Studi di Firenze)<\/li>\n<li><strong>Silvia Cecchini<\/strong> (Art historian e Restorer)<\/li>\n<li><strong>Emanuela Daffra<\/strong> (as interim Director of Opificio delle Pietre Dure)<\/li>\n<li><strong>Paola D\u2019Alconzo<\/strong> (Universit\u00e0 degli Studi di Napoli Federico II)<\/li>\n<li><strong>Maria Concetta Di Natale<\/strong> (SISCA &#8211; Societ\u00e0 italiana di Storia della critica d\u2019arte)<\/li>\n<li><strong>Maria Beatrice Failla<\/strong> (Universit\u00e0 degli Studi di Torino)<\/li>\n<li><strong>Luigi Ficacci<\/strong> (Art historian)<\/li>\n<li><strong>Francesca Furst<\/strong> (Direzione Generale per i Beni Archivistici \u2013 Soprintendenza Archivistica della Lombardia, awaiting confirmation of membership)<\/li>\n<li><strong>Mario Micheli<\/strong> (Universit\u00e0 degli Studi Roma Tre)<\/li>\n<li><strong>Mauro Natale<\/strong> (Universit\u00e0 di Ginevra)<\/li>\n<li><strong>Luigi Oliva<\/strong> (as Director of Istituto Centrale per il Restauro)<\/li>\n<li><strong>Pietro Petraroia<\/strong> (Universit\u00e0 Cattolica del Sacro Cuore)<\/li>\n<li><strong>Chiara Piva<\/strong> (Universit\u00e0 degli Studi di Roma \u201cLa Sapienza\u201d)<\/li>\n<li><strong>Lidia Rissotto<\/strong> (Restorer, former Istituto Centrale per il Restauro)<\/li>\n<li><strong>Orietta Rossi Pinelli<\/strong> (former Universit\u00e0 degli Studi di Roma \u201cLa Sapienza\u201d)<\/li>\n<li><strong>Francesco Scoppola<\/strong> (Architect)<\/li>\n<li><strong>Lanfranco Secco Suardo<\/strong> (Associazione Giovanni Secco Suardo)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400;\">Special mention to the members who have been part of the ASRI Scientific Committee since the beginning and have passionately promoted this project:<\/p>\n<ul>\n<li><strong>Giuseppe Basile<\/strong>\u00a0(1942-2013), Istituto Superiore per la Conservazione ed il Restauro<\/li>\n<li><strong>Gianluigi Colalucci<\/strong> (1929-2021), Restauratore Capo dei Musei Vaticani<\/li>\n<li><strong>Maurizio Marabelli<\/strong>\u00a0(1934-2017), Istituto Superiore per la Conservazione ed il Restauro<\/li>\n<li><strong>Antonio Paolucci<\/strong> (1939-2024), Direttore Musei Vaticani<\/li>\n<\/ul>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Formed by scholars and researchers in the field of history of art, conservation and restoration, of archives, it guarantees the scientific and methodological guide of the project: the different educations and professional backgrounds has permitted to express the fundamental interdisciplinary nature of the project. 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