{"id":54051,"date":"2024-03-04T17:17:12","date_gmt":"2024-03-04T15:17:12","guid":{"rendered":"https:\/\/www.associazionegiovanniseccosuardo.it\/asri\/interviews-and-footage\/"},"modified":"2024-03-07T12:42:32","modified_gmt":"2024-03-07T10:42:32","slug":"interviews-and-footage","status":"publish","type":"page","link":"https:\/\/www.associazionegiovanniseccosuardo.it\/en\/asri\/interviews-and-footage\/","title":{"rendered":"Interviews and footage"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;#833b3f&#8221; custom_margin=&#8221;0px|||&#8221; custom_padding=&#8221;0px||0px||true|false&#8221; z_index_tablet=&#8221;500&#8243; box_shadow_horizontal_tablet=&#8221;0px&#8221; box_shadow_vertical_tablet=&#8221;0px&#8221; box_shadow_blur_tablet=&#8221;40px&#8221; box_shadow_spread_tablet=&#8221;0px&#8221; locked=&#8221;off&#8221; collapsed=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.16&#8243; 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quote_text_shadow_vertical_length_tablet=&#8221;0px&#8221; quote_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_2_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_2_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_2_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_3_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_3_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_3_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_4_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_4_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_4_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_5_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_5_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_5_text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_6_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_6_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_6_text_shadow_blur_strength_tablet=&#8221;1px&#8221; box_shadow_horizontal_tablet=&#8221;0px&#8221; box_shadow_vertical_tablet=&#8221;0px&#8221; box_shadow_blur_tablet=&#8221;40px&#8221; box_shadow_spread_tablet=&#8221;0px&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p>Within the project \u201cMemoire\u201d the <strong>Associazione Giovanni Secco Suardo<\/strong> conducted the interviews with Italian, French, and Belgian conservators-restorers and historians with the collaboration of Theo-Antoine Hermanes, Yves Robert, Gian Giuseppe Simeone, S\u00e9gol\u00e8ne Bergeon Langle, and Philippe D\u2019Hugues;<br \/>and the <strong>Hochschule fur Bildende Kunste Dresden<\/strong>, in the person of Ulrich Schiessl, for the German ones:<\/p>\n<ul>\n<li><strong>Pinin Brambilla Barcilon<\/strong> (Italy)<\/li>\n<li><strong>Paolo Cadorin<\/strong> (Italy)<\/li>\n<li><strong>Gianluigi Colalucci<\/strong> (Italy)<\/li>\n<li><strong>Laura Mora<\/strong> (Italy)<\/li>\n<li><strong>Raffaella Rossi Manaresi<\/strong> (Italy)<\/li>\n<li><strong>Giorgio Torraca<\/strong> (Italy)<\/li>\n<li><strong>Maud Chocqueel<\/strong> (France)<\/li>\n<li><strong>Gilberte Emile-M\u00e2le<\/strong> (France)<\/li>\n<li><strong>Francoise Flieder<\/strong> (France)<\/li>\n<li><strong>Jacques Joyerot<\/strong> (France)<\/li>\n<li><strong>Ren\u00e9e Lichtig<\/strong> (France)<\/li>\n<li><strong>Agnes Ballestrem<\/strong> (Belgium)<\/li>\n<li><strong>Pierrick De Henau<\/strong> (Belgium)<\/li>\n<li><strong>Nicole Goetghebeur<\/strong> (Belgium)<\/li>\n<li><strong>Paul Philippot<\/strong> (Belgium)<\/li>\n<li><strong>Rolf E. Straub<\/strong> (Germany)<\/li>\n<li><strong>Roland Moeller<\/strong> (Germany)<\/li>\n<li><strong>Hermann K\u00fchn<\/strong> (Germany)<\/li>\n<li><strong>Joachim Haag<\/strong> (Germany)<\/li>\n<li><strong>Mechthild Flury Lemberg<\/strong> (Germany)<\/li>\n<\/ul>\n<p>The interviews are available for consultation; interested scholars can request them by sending an email to the dedicated address: <a href=\"mailto:asri@associazionegiovanniseccosuardo.it\">asri@associazionegiovanniseccosuardo.it<\/a><\/p>\n<hr>\n<p>&nbsp;<\/p>\n<p>As part of the <strong>&#8220;RRM &#8211; Restorers and Restorations in Museum&#8221;<\/strong> project, thanks to the participation of six museums in the city of Milan, films were made tracing the conservation history of the works through the oldest restorations to the present day:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=L1-cwr6HGvM\" target=\"_blank\" rel=\"noopener\">Crocifissione (Michele da Verona), 1501, Pinacoteca di Brera<\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=I5_rj8qecTM\" target=\"_blank\" rel=\"noopener\">Ancona della Passione, Museo Diocesano<\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=xEi59OCY4eE\" target=\"_blank\" rel=\"noopener\">Pala Trivulzio (A. Mantegna), 1497, Pinacoteca del Castello Sforzesco<\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=FKLRxhkso0k\" target=\"_blank\" rel=\"noopener\">Madonna dei gigli (G. Previati), 1893, Galleria d&#8217;Arte Moderna<\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=M_FgrNznfrg\" target=\"_blank\" rel=\"noopener\">San Sebastiano, Dosso Dossi, Pinacoteca di Brera<\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=hH2EV_zOkgk\" target=\"_blank\" rel=\"noopener\">Disegni della collezione Antonio Sozzani, Museo Diocesano<\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=OQvr1nbfb7s\" target=\"_blank\" rel=\"noopener\">Oratorio di Mocchirolo, Pinacoteca di Brera<\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=LVpKoCbNPtc\" target=\"_blank\" rel=\"noopener\">Collezione d&#8217;Arte Cinetica e Programmata, Museo del Novecento<\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=D367if8X6HM\" target=\"_blank\" rel=\"noopener\">Trittico di Camerino, Carlo Crivelli, Pinacoteca di Brera<\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=68txNxsClUQ&amp;t=98s\" target=\"_blank\" rel=\"noopener\">Artemisia, Maestro di Griselda, Museo Poldi Pezzoli<\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=tdLqeNKlZ2c&amp;t=30s\" target=\"_blank\" rel=\"noopener\">Imago Pietatis, Giovanni Bellini, Museo Poldi Pezzoli<\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=oMpzSb2gfY8\" target=\"_blank\" rel=\"noopener\">San Gerolamo, Bartolomeo Montagna, Museo Poldi Pezzoli<\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=l7HwpSTh_Lo&amp;t=45s\" target=\"_blank\" rel=\"noopener\">Arazzi dei Mesi, Civiche Raccolte Artistiche del Castello Sforzesco<\/a><\/li>\n<\/ul>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Within the project \u201cMemoire\u201d the Associazione Giovanni Secco Suardo conducted the interviews with Italian, French, and Belgian conservators-restorers and historians with the collaboration of Theo-Antoine Hermanes, Yves Robert, Gian Giuseppe Simeone, S\u00e9gol\u00e8ne Bergeon Langle, and Philippe D\u2019Hugues;and the Hochschule fur Bildende Kunste Dresden, in the person of Ulrich Schiessl, for the German ones: Pinin Brambilla [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"parent":51767,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-54051","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.associazionegiovanniseccosuardo.it\/en\/wp-json\/wp\/v2\/pages\/54051","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.associazionegiovanniseccosuardo.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.associazionegiovanniseccosuardo.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.associazionegiovanniseccosuardo.it\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.associazionegiovanniseccosuardo.it\/en\/wp-json\/wp\/v2\/comments?post=54051"}],"version-history":[{"count":12,"href":"https:\/\/www.associazionegiovanniseccosuardo.it\/en\/wp-json\/wp\/v2\/pages\/54051\/revisions"}],"predecessor-version":[{"id":54077,"href":"https:\/\/www.associazionegiovanniseccosuardo.it\/en\/wp-json\/wp\/v2\/pages\/54051\/revisions\/54077"}],"up":[{"embeddable":true,"href":"https:\/\/www.associazionegiovanniseccosuardo.it\/en\/wp-json\/wp\/v2\/pages\/51767"}],"wp:attachment":[{"href":"https:\/\/www.associazionegiovanniseccosuardo.it\/en\/wp-json\/wp\/v2\/media?parent=54051"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}