{"id":51626,"date":"2021-03-07T07:41:15","date_gmt":"2021-03-07T07:41:15","guid":{"rendered":"https:\/\/www.associazionegiovanniseccosuardo.it\/convegno-mauro-pelliccioli-2018\/"},"modified":"2022-11-11T17:05:38","modified_gmt":"2022-11-11T15:05:38","slug":"convegno-mauro-pellicioli-2018","status":"publish","type":"post","link":"https:\/\/www.associazionegiovanniseccosuardo.it\/en\/convegno-mauro-pellicioli-2018\/","title":{"rendered":"Mauro Pelliccioli Conference 2018"},"content":{"rendered":"<h2>International Study Conference &#8220;<i>Mauro Pellicioli and the culture of restoration in the twentieth century<\/i>&#8221; (Venice, November 14-15, 2018)<\/h2>\n<p><span style=\"font-weight: 400;\">In the framework of history of restoration, fundamental point for a deeper knowledge of problems related to Conservation-Restoration of Cultural Heritage and History of Art, the Associazione Giovanni Secco Suardo together with the Fondazione Accademia Carrara, the Gallerie dell\u2019Accademia of Venice, the Istituto Centrale per il Restauro, the Soprintendenza Archeologia, Belle Arti e Paesaggio of Venice and the Polo Museale Veneto, promoted and organized an International Conference dedicated to the Italian restorer Mauro Pellicioli.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The Conference is connected to the project <\/span><i><span style=\"font-weight: 400;\">Archivio Storico Nazionale e Banca Dati dei Restauratori Italiani \u2013 ASRI, (National Historical Archive of Italian Restorers),<\/span><\/i><span style=\"font-weight: 400;\"> which was launched in 1995 during the conference dedicated to Giovanni Secco Suardo, aims to increasing and enhance the knowledge on history of conservation-restoration through the safeguard of the Italian conservator-restorers\u2019 private archives and through studies, researches and cataloguing in the ASRI database.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The Conference was an interdisciplinary moment of debate on the conservation-restoration history in Italy and in European countries, starting from Mauro Pellicioli, whose work on the most important Italian works of art ranged from public institutions to private customers.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This Conference it was a precious opportunity to match different themes: the history of conservation-restoration (as technical and philological study), the conservation-restoration methodology and the historical analysis of social and cultural processes. Different paths so deeply interrelated that need increasing integration. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">In fact, it should be considered that, despite the presence of multiple reports on individual interventions or reconstructions of relationships with institutions and personalities from the world of art and restoration, an overall interpretation of the figure of Mauro Pellicioli is still lacking. The critical analysis of his biography and the results of his activity on works of art is completely fragmentary and largely still unpublished. On the other hand, there is a large amount of largely unpublished documentary material, represented by his personal archive, conserved at the Associazione Giovanni Secco Suardo.<\/span><\/p>\n<h2><b>Promoters<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">Associazione Giovanni Secco Suardo<br \/>\n<\/span><span style=\"font-weight: 400;\">Fondazione Accademia Carrara, Gallerie dell\u2019Accademia di Venezia<br \/>\n<\/span><span style=\"font-weight: 400;\">MiBAC, Istituto Superiore per la Conservazione ed il Restauro<br \/>\n<\/span><span style=\"font-weight: 400;\">MiBAC, Polo Museale del Veneto<br \/>\n<\/span><span style=\"font-weight: 400;\">MiBAC, Soprintendenza Archeologia, Belle Arti e Paesaggio di Venezia<\/span><\/p>\n<p><b>In collaboration with: <\/b><span style=\"font-weight: 400;\">Fondazione Giorgio Cini, Fondazione Cineteca Italiana<\/span><\/p>\n<h2><b>With the support of<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">Associazione Giovanni Secco Suardo<br \/>\n<\/span><span style=\"font-weight: 400;\">Fondazione Accademia Carrara<br \/>\n<\/span><span style=\"font-weight: 400;\">Gallerie dell\u2019Accademia di Venezia<br \/>\n<\/span><span style=\"font-weight: 400;\">MiBAC Ministero per i beni e le attivit\u00e0 culturali<br \/>\n<\/span><span style=\"font-weight: 400;\">Intesa Sanpaolo<br \/>\n<\/span><span style=\"font-weight: 400;\">Comune di Nembro (BG)<\/span><\/p>\n<h2><b>With the contribution of:<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">Ministero per i Beni e le Attivit\u00e0 Culturali<br \/>\n<\/span><span style=\"font-weight: 400;\">Regione Veneto<br \/>\n<\/span><span style=\"font-weight: 400;\">Comune di Bergamo<br \/>\n<\/span><span style=\"font-weight: 400;\">Comune di Nembro (BG)<br \/>\n<\/span><span style=\"font-weight: 400;\">Comune di Venezia<br \/>\n<\/span><span style=\"font-weight: 400;\">ICCROM &#8211; International Centre of Conservation- Rome<br \/>\n<\/span><span style=\"font-weight: 400;\">ICOM &#8211; International Council of Museums Italia<br \/>\n<\/span><span style=\"font-weight: 400;\">ECCO- European Confederation of Conservator-Restorers\u2019 Organisations<br \/>\n<\/span><span style=\"font-weight: 400;\">ENCORE- European Network for Conservation-Restoration Education<br \/>\n<\/span><span style=\"font-weight: 400;\">Fondazione di Studi di Storia dell&#8217;Arte Roberto Longhi<br \/>\n<\/span><span style=\"font-weight: 400;\">Museu Nacional d&#8217;Art de Catalunya<br \/>\n<\/span><span style=\"font-weight: 400;\">Universit\u00e0 Ca\u2019 Foscari di Venezia<br \/>\n<\/span><span style=\"font-weight: 400;\">Universit\u00e0 Cattolica del Sacro Cuore di Milano<br \/>\n<\/span><span style=\"font-weight: 400;\">Universit\u00e0 degli Studi di Napoli \u201cFederico II\u201d<br \/>\n<\/span><span style=\"font-weight: 400;\">Universit\u00e0 degli Studi Roma Tre, Universit\u00e0 degli Studi La Sapienza, Universit\u00e0 degli Studi di Milano, Universit\u00e0 degli Studi di Torino, Universit\u00e0 degli Studi della Tuscia, ANAI &#8211; Associazione Nazionale Archivistica Italiana, ARI &#8211; Associazione Restauratori Italiani, ORA &#8211; Associazione Restauratori Alta Formazione<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Convegno Internazionale di Studi Mauro Pellicioli e la cultura del restauro nel XX secolo, Venezia, 14-15 novembre 2018<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-51626","post","type-post","status-publish","format-standard","hentry","category-restoration-history"],"_links":{"self":[{"href":"https:\/\/www.associazionegiovanniseccosuardo.it\/en\/wp-json\/wp\/v2\/posts\/51626","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.associazionegiovanniseccosuardo.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.associazionegiovanniseccosuardo.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.associazionegiovanniseccosuardo.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.associazionegiovanniseccosuardo.it\/en\/wp-json\/wp\/v2\/comments?post=51626"}],"version-history":[{"count":10,"href":"https:\/\/www.associazionegiovanniseccosuardo.it\/en\/wp-json\/wp\/v2\/posts\/51626\/revisions"}],"predecessor-version":[{"id":52956,"href":"https:\/\/www.associazionegiovanniseccosuardo.it\/en\/wp-json\/wp\/v2\/posts\/51626\/revisions\/52956"}],"wp:attachment":[{"href":"https:\/\/www.associazionegiovanniseccosuardo.it\/en\/wp-json\/wp\/v2\/media?parent=51626"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.associazionegiovanniseccosuardo.it\/en\/wp-json\/wp\/v2\/categories?post=51626"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.associazionegiovanniseccosuardo.it\/en\/wp-json\/wp\/v2\/tags?post=51626"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}