{"id":52266,"date":"2021-02-01T11:59:27","date_gmt":"2021-02-01T09:59:27","guid":{"rendered":"https:\/\/www.associazionegiovanniseccosuardo.it\/convegno-giovanni-secco-suardo-1995\/"},"modified":"2021-11-02T12:06:19","modified_gmt":"2021-11-02T10:06:19","slug":"convegno-giovanni-secco-suardo-1995","status":"publish","type":"post","link":"https:\/\/www.associazionegiovanniseccosuardo.it\/en\/convegno-giovanni-secco-suardo-1995\/","title":{"rendered":"International Studies Conference Giovanni Secco Suardo 1995"},"content":{"rendered":"

International Studies Conference \u201cGiovanni Secco Suardo (1798-1873)<\/em>. The culture of Restoration between protection and conservation of the work of art\u201d
\nBergamo, 9-11 March 1995<\/h2>\n

The conference was an opportunity to study the activity and writings of Giovanni Secco Suardo, a leading figure in the debate in Europe in the second half of the nineteenth century between art historians, museum directors, “conoisseurs<\/em>“, collectors and restorers on the crucial issues of the protection, conservation and restoration of works of art.<\/p>\n

Author, among other things, of the famous Manuale ragionato per la parte meccanica dell\u2019arte del Ristauratore di dipinti\u00a0<\/em> (Milan 1866), Giovanni Secco Suardo contributed to develop and to update, in a modern and critical perspective, the methodologies, the purposes and the ethical-professional status of the restorer, exerting a considerable influence on the culture and tradition of conservation-restoration in Italy and in Europe.<\/p>\n

The Conference also proposed some reflections on the practice and the original concepts of \u200b\u200brestoration of paintings between the nineteenth and twentieth centuries, then developing the same themes inherent to the culture and practice of restoration, and in particular the problem of the training of the restorer, in a ‘contemporary optics, through the comparison and sharing of experiences and testimonies of sector specialists (art historians, restoration historians, museum and superintendent officials, operators and experts) from various European countries.<\/p>\n

Through a specific session, the conference analyzed aspects and problems of the current culture of restoration in Europe (theories and applications, manuals and protection legislation, etc.).<\/p>\n

The Conference Proceedings were collected in the supplement to number 98 of the Art Bulletin of the Ministry for Cultural Heritage and Activities (1996).<\/p>\n

Promoters
\n<\/strong>Associazione Giovanni Secco Suardo
\nIstituto Centrale per il Restauro
\nProvincia di Bergamo, Assessorato alla Cultura<\/p>\n

Participant Institutions
\n<\/strong>Associazione Giovanni Secco Suardo
\nMinistero per i Beni e le Attivit\u00e0 Culturali, Ufficio Centrale per i Beni Librari e gli Istituti Culturali<\/p>\n

Donors
\n<\/strong>Regione Lombardia, Assessorato alla Cultura
\nComune di Bergamo, Assessorato alla Cultura<\/p>\n

Scientific Committee
\n<\/strong>Sandro Angelini (Commissione Restauri Provincia di Bergamo)
\nUmberto Baldini (Universit\u00e0 Internazionale delle Arti, Firenze)
\nGiuseppe Basile (Istituto Centrale per il Restauro)
\nCarlo Bertelli (Universit\u00e0 di Losanna)
\nGiorgio Bonsanti (Opificio delle Pietre Dure)
\nEvelina Borea (Ministero per i Beni e le Attivit\u00e0 Culturali)
\nAlessandro Conti (Universit\u00e0 di Siena)
\nMichele Cordaro (Istituto Centrale per il Restauro)
\nMarisa Dalai Emiliani (Universit\u00e0 La Sapienza di Roma)
\nEnrico De Pascale (Provincia di Bergamo, Assessorato alla Cultura)
\nCristina Giannini (Bayerisches Landesamt f\u00fcr Denkmalpflege, Monaco)
\nMina Gregori (Universit\u00e0 di Firenze)
\nMarc Laenen (ICCROM Roma)
\nFabrizio Mancinelli (Musei Vaticani)
\nAlessandra Mottola Molfino (Museo Poldi Pezzoli, Milano)
\nMara Nimmo (Istituto Centrale per il Restauro)
\nAntonio Paolucci (Soprintendenza ai Beni Artistici e Storici, Firenze)
\nPietro Petraroia (Soprintendenza ai Beni Artistici e Storici, Milano)
\nLidia Rissotto (Istituto Centrale per il Restauro)
\nFrancesco Rossi (Accademia Carrara, Bergamo)
\nGiorgio Torraca (Universit\u00e0 La Sapienza di Roma)
\nBruno Toscano (Universit\u00e0 di Roma III)
\nGiovanni Urbani (“Materiali e Strutture\u201d)
\nRosalia Varoli Piazza (Istituto Centrale per il Restauro)<\/p>\n","protected":false},"excerpt":{"rendered":"

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